Comment by mrandish

Comment by mrandish 5 days ago

2 replies

Unfortunately, the author confuses the broadcast Skycam with the All-22 views. They aren't the same thing and the All-22 cameras aren't even controlled by the television production (although they are available to it).

Per NFL league rules it is the responsibility of the home team to supply the All-22 camera feeds to the league. They are usually operated by the home team's stadium video crew. The All-22 viewpoints are from directly overhead and from each end zone and their purpose is purely documentary not creative - so they are the most complete, yet boring views. These cameras are also the source of the still frames sent wirelessly to the sideline tablets you see players and coaches referring to during games (by rule, there is no motion video or real-time imagery sent to these tablets, just two time-delayed stills for each play, showing the moment the ball is snapped and the moment the whistle is blown ending the play).

The Skycam(s) are sophisticated 'flying' remote cameras operated by the broadcast production and suspended on four wires. They are usually moving around, panning and zooming - which the All-22 cameras never do. Skycams can drop to within 10 feet of the field (although low use during games is strictly limited to behind the line of scrimmage before the ball is snapped). They can also accelerate to over 20mph and in the hands of a skilled two-person pilot team, can track with a fast player running the length of the field. Here's arguably the greatest Skycam shot of all time (https://www.nfl.com/videos/skycam-pilot-alex-milton-narrates...). There are sometimes two Skycams in major playoff games and the Super Bowl (high and low).

In the last year the NFL has added 32 4K and 8K fixed-view cameras to each league stadium to support enhanced replay review by referees. They provide fixed views down each sideline from either end and across the goal-line from each side. Their replay feeds are viewable by the replay referee who sits in a sky box above the field, as well as sent to the league's NYC broadcast center in real-time. They are also made available to the broadcast production team and used for the new virtual measurement system and for skeletal tracking data which you may see in CGI replays during a game (https://www.sportsvideo.org/2025/11/20/nfl-deep-dive-how-32-...).

kayfox 5 days ago

> There can be two Skycams in major playoff games or the Super Bowl (high and low).

There can be more depending on how you block out the cables, I have seen 5. The two Skycam limit is based on two independent systems that do not do cable avoidance in software, you just block out the allowed altitudes on each system.

There also other cable suspended systems in use to move on a line strung between two points and sometimes a track suspended under the stadium roof.

Fun fact: The Skycam was invented by Steadicam inventor Garret Brown and uses some of the same principals for stabilization.

  • mrandish 5 days ago

    Interesting, I've never seen more than two 4-wire Skycams used in an NFL broadcast (at least that I knew of). Given the need for flexible endzone to endzone coverage of NFL games, I'd imagine sectioned arrangements might be better suited for concerts, etc. The gratuitous two Skycams tracking each other shot is always fun. Just saw another one in recent weeks as they were discussing the retirement of a long-time Skycam operator.

    I was going to mention the linear point-to-point 'Sidecams' but I haven't seen them used much the last season and was wondering if they've fallen out of favor. I'd guessed they might get in the sight lines of the primary cameras in many stadiums.

    I actually got to briefly meet Garret at a long-ago NAB show. As not only the inventor but the operator on so many incredible film shots, the dude's a legend. IIRC correctly he did the Rocky on the steps and The Shining maze shots himself.