I worked for a company with a large website. The designers were elite and worked in a darkroom on expensive Apple equipment. At some point, it turned out that users couldn't see a certain color on the website because it could be seen on an Apple monitor, but not on a mass-market laptop's TFT screen.
I worked at a really large social media company, and there was a design which looked beautiful on all of the employee's high-res screens and monitors but used too much space and just didn't work for most of the users. It never got launched, which feels like what should have happened here.
To be fair to those designers, color reproduction is a really hard problem, and shitty monitors have terrible color reproduction.
You want your designers to have accurate color reproduction for obvious reasons, but they should be testing their work on shitty monitors, too.
> You want your designers to have accurate color reproduction for obvious reasons
I don't know, I conclude the opposite. If you need accurate color reproduction when you publish online, you are doing something wrong.
I used to co-own a small digital printing business, so I'm aware of what all of it means, and I had an appropriate monitor myself and a paid Adobe Design Suite subscription.
But for the web, when our setup is too good it's actually a detriment. It is predictable that you end up publishing things that require your quality setup. There is a good reason not to bother with a high quality monitor usable for serious publishing and photo/video editing when you only do web thing. Which is exactly why when I bought my last monitor, which is for business work and coding and web browsing and other mundane things, I deliberately ignored all the very high quality displays, even though the company would have paid whatever I chose. It is not an advantage for that use case.
I have difficulty reading the light gray text on white/bright background that too many sites favor these days. I have a pretty good 4K 32 inch monitor. Even with a full Adobe color space capable and calibrated device in a darkroom I don't want to read that combination.
I don't get it, I have medically tested 120% color vision (it was a lengthy test), definitely nothing wrong on my side, so I don't understand at all what the designers and coders are seeing that they think that that is a great idea. The difference between the pixels is objectively bad, one can take a screenshot and look at the background versus text pixels.