Comment by MORPHOICES
Comment by MORPHOICES a day ago
As I was looking at various film formats, I was reminded of how messy standards are. ~
There are dozens of formats with slightly different sizes and long tails that never fully disappear.
There is almost no rhyme or reason to it and a lot of it feels like it's just been passed down.
After a while, a format can no longer be considered optional. Once again, I see the same pattern with software and I was curious how others view the same phenomenon.
Which standards survived due to inertia? Which lost better alternatives? Where was the emphasis on compatibility over design?
Film is manufactured on huge rolls, and is cut down to different sizes and formats, so its not really that expensive on the manufacturing side to support a lot of formats. From the buy side, cameras are expensive, and almost all cameras only support one format. The big change came with film developing labs on teh high street, as when development was at home it was fairly manual, but once it was automated the machines were designed for fewer formats (for a long time 35mm, and often medium format). But even then, the process doesnt change per format and the chemicals are the same, so supporting variation is relatively cheap.