Comment by watwut
> Hard questions (only those slightly interested got these correct): Examine the tone of the conversation between $A and $B in $chapter, first from the PoV of $A and then from the PoV of $B. List the differences, if any, in the tone that $A intended his instructions to be received and the tone that $B actually understood it as.
I always got As on these ... but the primary reason was that I was good at bullshitting. They are super easy when you are good at bullshitting. The trick is not to care that your answer sounds royally stupid. Then you will get A.
And all you need is to check those dialogs when writing the test. If you are expecting me to remember those dialogs, then we are back to the expectation that I basically memorized the book.
> Very hard questions (for those who got +90% on their English grades): In the story arc for $A it can be claimed that the author intended to mirror the arc for Cordelia from King Lear. Make an argument for or against this claim.
Again, I got As ... but they were solidly in the "kind of test that convinces you literature is stupid class" kind of questions. Unless there is some kind of actual interesting insight to be had, this question just shows how empty the whole exercise is.
> Again, I got As ... but they were solidly in the "kind of test that convinces you literature is stupid class" kind of questions. Unless there is some kind of actual interesting insight to be had, this question just shows how empty the whole exercise is.
You are not making much sense.
You got As in the type of question that required demonstration of a broad swath of literature ... but that just shows you how empty the question is?
WTF?