Comment by Duanemclemore
Comment by Duanemclemore 21 hours ago
Eno has been an inspiration for my entire music listening life. U2's Achtung Baby and Zooropa - both of which Eno was a partner in making - came out in my preteens. It's tough for a kid in the rural midwest to find Brian Eno, but as soon as I got to a place with cultural access I was all over his work. And once Pandora and internet radio came out I was able to go deeper and in to contemporary composition and other related genres.
But even with almost 30 years of listening to this stuff, sometimes a really obvious one slips through the cracks.
I hadn't heard of or listened to Tim Hecker until just this year. And oh man, I haven't felt this way about finding a "new" artist in a long time. If you want a good entry point start with his mid-career Ravedeath, 1972 [0] and its companion Dropped Pianos (both of which feature the MIT Piano Drop on the cover) and work forward and backward from there.
Weird - I also listened to ambient music for almost a decade before hearing about Tim Hecker. I have to second the recommendation, although I started in a different place - when I first heard Harmony in Ultraviolet, it was like something clicked into place. Ambient music had been missing something and I hadn't even known it.
I had a similar experience with Abul Mogard. Whoever they really are is a genius of immense soundscapes.