Comment by sersi

And as someone who is part of those conservation communities that scan 35mm with donations to keep the existing look, a lot of the people doing those projects are aware of this. They do some color adjustment to compensate for print fading, for the type of bulb that were used in movie theatres back then (using a LUT), etc...

I do find that often enough commercial releases like Aladdin or other movies like Terminator 2 are done lazily and have completely different colors than what was historically shown. I think part of this is the fact that studios don't necessarily recognise the importance of that legacy and don't want to spend money on it.