Comment by the__alchemist

Comment by the__alchemist 15 hours ago

2 replies

A more charitable description highlights that Gibson is more literary than the authors you're comparing to. He has an artistic flourish to his wording, and he's very good at it. This isn't to detract from your main point.

It's interesting to think about that in Stephenson novels (I don't wish to draw too deep a comparison, but many make it between Snow Crash and Neuromancer), it is interesting to note how deep Stephenson dives to build his themes. In some places it's a subtle framework, in other places it's... very noticeable, as you allude to!

roughly 12 hours ago

Yeah, I certainly didn't mean it to denigrate Gibson - his writing is beautiful, and I think he's one of the most perceptive Sci-fi writers going. The Blue Ant trilogy was one of the best encapsulations of the "new" world at the turn of the millenium, and reading The Peripheral has the terrifying quality of being given a prophecy of a future you don't want.

I've mentioned it elsewhere, but "This Is How You Lose the Time War" is one of the few other sci-fi books I've read that has that same level of artistry - the Calvino-esque ability to conjure an entire world history out of a short description of three objects sitting on a table. It's much more polarizing for the sci-fi audience, because it doesn't stay in one place and it doesn't flatter as much as Gibson tends to, but it's quite beautiful.

ANewFormation 14 hours ago

I also think more accurate. The opening sentence of Neuromancer is one of the most beautifully perfect metaphors I've ever read - one that's also chock full of symbolism. It may be the single best line of writing I've ever read.

By contrast I think Stephenson's popularity is largely just a condemnation of modern sci-fi, to say nothing of cyberpunk. It's certainly not bad, but it's equally certainly not particularly exceptional either, except for the fact that his peers are mostly even less remarkable.