Comment by mlsu

Comment by mlsu 2 days ago

212 replies

I was really hoping that the conversation around AI art would at least be partially centered on the perhaps now dated "2008 pirate party" idea that intellectual property, the royalty system, the draconian copyright laws that we have today are deeply silly, rooted in a fiction, and used over and over again, primarily by the rich and powerful, to stifle original ideas and hold back cultural innovation.

Unfortunately, it's just the opposite. It seems most people have fully assimilated the idea that information itself must be entirely subsumed into an oppressive, proprietary, commercial apparatus. That Disney Corp can prevent you from viewing some collection of pixels, because THEY own it, and they know better than you do about the culture and communication that you are and are not allowed to experience.

It's just baffling. If they could, Disney would scan your brain to charge you a nickel every time you thought of Mickey Mouse.

kokanee 2 days ago

The idea of open sourcing everything and nullifying patents would benefit corporations like Disney and OpenAI vastly more than it would benefit the people. The first thing that would happen is that BigCorp would eat up every interesting or useful piece of art, technology, and culture that has ever been created and monetize the life out of it.

These legal protections are needed by the people. To the Pirate Party's credit, undoing corporate personhood would be a good first step, so that we can focus on enforcing protections for the works of humans. Still, attributing those works to CEOs instead of corporations wouldn't result in much change.

  • pixl97 a day ago

    >The first thing that would happen is that BigCorp would eat up every interesting or useful piece of art, technology, and culture that has ever been created and monetize the life out of it.

    Wait, I'm still trying to figure out the difference between your imaginary world and the world we live in now?

    • Lerc a day ago

      I think the main difference is if everything were freely available they may attempt to monetize the life out of it, but they will fail if they can't actually provide something people actually want. There's no more "You want a thing so you're going to buy our thing because we are the exclusive providers of it. That means we don't even have to make it very good"

      If anyone in the world could make a Star Wars movie, the average Star Wars movie would be much worse, but the best 10 Star Wars movies might be better that what we currently have.

      • drob518 a day ago

        I’m sure the best independent Star Wars movie would be infinitely better than what Disney has been shoveling out for the last couple decades.

    • dragontamer a day ago

      Thor would have red hair in the imaginary world, rather than being a Blonde man which was made to be a somewhat distinguished comic book character.

      The Disney or otherwise copyrighted versions allow for unique spins on these old characters to be re-copyrighted. This Thor from Disney/Marvel is distinguished from Thor from God of War.

      • runarberg a day ago

        > “Before starting the series, we stuffed ourselves to the gills with Norse mythology, as well as almost every other type of mythology – we love it all! But you’ve got to remember that these are legendary tales – myths – and no two versions are ever exactly the same. We changed a lot of things – for example, in most of the myths Thor has red hair, Odin has one eye, etc. But we preferred doing our own version.”

        https://scifi.stackexchange.com/questions/54400/why-did-earl...

        Huh, did not know that. As an Icelandic person I knew about Þór the Norse god much earlier than Thor the marvel character. I never really pictured his hair color, nor knew he had a specific hair color in the mythology. I actually always pictured him with a beard though. What mostly mattered though was his characteristics. His ill temper and drinking habits, and the fact that he was not a nice person, nor a hero, but rather a guy who starts shit that gets everyone else in trouble, he also wins every fight except one (he looses one against Elli [the personification of old age]). The little I’ve seen of him in the Marvel movies, he keeps almost none of these characteristics.

        EDIT: My favorite story of him is the depiction of the fall of Ásgarður, where Loki and some Jötun are about to use the gods vanity against them and con them out of stuff they cannot actually pay for a wall around Ásgarður. Þór, being the way he is, cannot be around a Jötun without fighting and killing him. So rather than paying up (which the gods cannot do) Þór is sent to see this Jötun, knowing very well that he will be murdered. This betrayal is marked as the beginning of the end in Völuspá (verse 26).

  • dcow a day ago

    How do restaurants work, then? You can’t copyright a recipe. Instructions can’t generally be copyrighted, otherwise someone would own the fastest route from A to B and charge every person who used it. The whole idea of intellectual property gets really weird when you try to pinpoint what exactly is being owned.

    I do not agree with your conjecture that big corps would win by default. Ask why would people need protection from having their work stolen when the only ones welding weaponized copyright are the corporations. People need the freedom to wield culture without restriction, not protection from someone having the same idea as them and manifesting it.

    • singleshot_ a day ago

      It’s more reasonable to say that the idea of intellectual property is challenging for nonlawyers because of the difficulty in understanding ownership not as one thing, but as a bundle of various elements of control, exclusion, obligation, or entitlement, even some of which spring into existence out of nowhere.

      In other words, the challenge is not to understand “what exactly is being owned,” and instead, to understand “what exactly being owned is.”

      • Avicebron a day ago

        > what exactly being owned is.

        Thank you, this is beautifully put and very astute. Does a recipe, a culmination of a lifetime of experience, technique, trials, errors, and luck constitute a form of someone/thing's person-hood such that it can be Intellectual Property.

        • singleshot_ 18 hours ago

          It depends. First I think we could make a distinction between not-intellectual-property and intellectual-property-with-no-protection but that doesn’t seem to be what you’re getting at.

          Have you taken reasonable steps to keep it secret? It could be a trade secret and if course if you steal the recipe for KFC’s herbs and spices, you will be liable for civil damages for your misappropriation of their trade secret.

          And if you describe a recipe in flowery prose, reminiscing about the aromas in grandmas kitchen, of course that prose is copyrightable.

          Should you invent a special kind of chicken fry mix and give us a fanciful name, the recipes identifier if origin - its trademark -could be protectable.

          But the fact that your chicken fry mix is made of corn starch and bread crumbs is a fact, like a phone book. Under most circumstances, not protectable.

          ianyl tinla

    • apersona 14 hours ago

      > I do not agree with your conjecture that big corps would win by default.

      Why wouldn't big corps win by default? They have the brand name, own the resources to make more polished version of any IP, and have better distribution channels than anyone else.

      Can you tell me how this scenario won't play out?

      1. Big corporation has people looking for new and trending IP.

      2. Instead of buying the rights to it, they get their army of people to produce more polished versions of it.

      3. Because they have branding and a better distribution channel, the money goes 100% to them.

      > Ask why would people need protection from having their work stolen when the only ones welding weaponized copyright are the corporations.

      People working in the field sell their copyright like Gravity Falls' Alex Hirsch: https://x.com/_AlexHirsch/status/1906915851720077617

    • ipsento606 a day ago

      > How do restaurants work, then?

      Primarily because recipe creation is not one of the biggest cost centers for restaurants?

    • hammock a day ago

      > How do restaurants work, then? You can’t copyright a recipe.

      They barely work. Recipes are trade secrets, and the cooks who use them are either paid very well, given NDAs or given only part of the most guarded recipes

    • api a day ago

      A restaurant is a small manufacturing facility that produces a physical product. It’s not the same at all.

      • dcow a day ago

        An artist is a small manufacturing facility that produces a physical (canvas, print, mp3, etc) product, no?

        What is different about the production of Micky Mouse cartoons? Why is it normal for industries to compete in manufacturing of physical product, but as soon as you can apply copyright, now you exclusively have rights to control anything that produces a similar result?

    • awesome_dude a day ago

      Closed source - when was the last time your restaurant told you what was in, and how to make, your favourite dish?

      What's in Coca Cola?

      What are the 11 herbs and spices in Kentucky Fried Chicken?

      How do I make the sauce in a Big Mac?

      • dcow a day ago

        Yes, and notably the source recipe can’t be copyrighted. Trade secrets and recipes are not copyrightable. That’s the point. We have entire vastly profitable industries built around protection of trade secrets, with no copyright in play. Competing to make make the best cola flavored beverage or the best burrito is a thing. Competing to make the best rendition of Snow White, is not. What’s the rub? They don’t seem that different at all.

      • soulofmischief a day ago

        > when was the last time your restaurant told you what was in, and how to make, your favourite dish

        Today? All the time? I just went into a new local joint today, talked to the owner about adding some vegetarian meals, and we hashed out some ideas in terms of both ingredients and preparation.

        As a pescetarian and cook myself, I frequently ask establishments detailed questions about ingredients and preparation

  • dragonwriter a day ago

    > The idea of open sourcing everything and nullifying patents would benefit corporations like Disney and OpenAI vastly more than it would benefit the people.

    Disney would be among the largest beneficiaries if the right to train AI models on content was viewed as an exclusive right of the copyright holder; they absolutely do not benefit from AI training being considered fair use.

  • julianeon a day ago

    Maybe now, post-AI.

    But if you'd asked this question in 2015 or earlier, everyone would have said Disney -> pro-patent, average people & indie devs -> anti-patent. Microsoft was famously pro-patent, as were a number of nuisance companies that earned the label "patent troll."

    Honestly, this idea of "patents to protect the people" would've come across as a corporate lawyer trick pre-2015.

  • satvikpendem 6 hours ago

    > The idea of open sourcing everything and nullifying patents would benefit corporations like Disney and OpenAI vastly more than it would benefit the people

    No, support open source AI and this will not happen.

  • csallen a day ago

    This is the exact opposite of the truth.

    Look at YouTube. Look at SoundCloud. Look at all the fan fiction sites out there, internet mangas and manwhas and webtoons, all the podcasts, all the influencers on X and Instagram and TikTok and even OnlyFans, etc etc. Look at all the uniquely tiny distribution channels that small companies and even individuals are able to build in connection with their fans and customers.

    There is endless demand for the endless variety of creativity and content that's created by normal people who aren't Disney, and endless ways to get it into people's hands. It is literally impossible for any one company to hoover all of it up and somehow keep it from the people.

    In fact, the ONLY thing that makes it possible for them to come close to doing that is copyright.

    And the only reason we have such a huge variety of creativity online is because people either (a) blatantly violate copyright law, or (b) work around gaps in copyright law that allow them to be creative without being sued.

    The idea that we need copyrights to protect us from big companies is exactly wrong. It's the opposite. Big companies need copyright to protect their profits from the endless creativity and remixing of the people.

  • echelon a day ago

    The original claim is false,

    > intellectual property [...] used over and over again, primarily by the rich and powerful, to stifle original ideas and hold back cultural innovation.

    There's nothing about IP which prevents you from creating your own. There are, in fact, a near infinite number of things you can create. More things than there exist stars in our galaxy.

    The problem with ideas is that they have to be good. They have to be refined. They have to hit the cultural zeitgeist, solve a particular problem, or just be useful. That's the hard part that takes the investment of time and money.

    In the old world before Gen AI, this was the hard thing that kept companies in power. That world is going away fast, and now creation will be (relatively) easy. More taste makers will be slinging content and we'll wind up in a land of abundance. We won't need Disney to give us their opinion on Star Wars - we can make our own.

    The new problem is distributing that content.

    > The idea of open sourcing everything and nullifying patents would benefit corporations like Disney and OpenAI vastly more than it would benefit the people. The first thing that would happen is that BigCorp would eat up every interesting or useful piece of art, technology, and culture that has ever been created and monetize the life out of it.

    Unless the masses can create and share on equal footing, you're 100% right.

    If it turns out, however, that we don't need Google, OpenAI, or big tech to make our own sci-fi epics, share them with a ton of people, and interact with friends and audiences, then the corporations won't be able to profit off of it.

    If social networks were replaced with common carriers and protocols.

    If Gen AI could run at the edge without proprietary models or expensive compute.

    If the data of YouTube, Reddit, Twitter, Instagram didn't require hyperscaler infra to store, search, and serve.

    Unfortunately, there are too many technical reasons why the giants will win. And network effects will favor the few versus many. Unless those parameters change, we'll be stuck with big tech distribution.

    Even if the laws around IP change, the hard tech challenges keep the gatekeepers in power. The power accrues to those who can dominate creation (if creation is unilateral), or even more so, to the distributors of that content.

    • dcow a day ago

      > We won't need Disney to give us their opinion on Star Wars - we can make our own.

      Disney would say that you can’t. And in the current copyright regime, it’s not unlikely that they’d convince the court that they’re right.

      • echelon a day ago

        > Disney would say that you can’t.

        Disney won't have any control. I can already generate images and videos locally on my hardware.

        Maybe they'll try to stop distribution? There will be quite a lot of people making these, though.

    • api a day ago

      This is the same argument we made in the 90s about what the web was going to do. What ended up happening was the growth of aggregators and silos like Facebook that baited everyone with ease of use into putting everything into their walled garden and then monetized it. The creators, namely the posters of the content, got nothing.

      The same is happening already with AI creations. Doing it yourself is work and takes some technical skill, so most people use hosted AI services. Guess who makes all the money?

      You will be able to create and share your own spin on Star Wars. You won’t see anything for that except maybe cred or some upvotes. The company that hosts it and provides the gateway and controls the algorithms that show it to people will get everything.

      • EgregiousCube a day ago

        To be fair, people who post on Facebook get exactly what they were promised. Users of free products generally don't expect a rev share.

        • autoexec a day ago

          I think that by now it's pretty clear that facebook isn't free and that the price of using facebook is actually pretty high, it's just abstracted away so that most people don't realize the cost and/or don't attribute that cost to facebook when they should.

    • codedokode a day ago

      > The problem with ideas is that they have to be good.

      No they don't, look at music popular in social networks.

      > and now creation will be (relatively) easy. More taste makers will be slinging content and we'll wind up in a land of abundance.

      Even before the generative AI, I think we live in the era where there are more creators than ever in history: everybody today can publish their music or art without any large investments (except for instruments: they are expensive as always). I would prefer we have cheaper pianos, samples and microphones instead of worthless music-copying models.

      • nradov a day ago

        Pianos are already cheap. You can get used pianos for very little money if you shop around. No one has space to keep a piano in their house anymore, and they don't want to deal with keeping them tuned.

      • echelon a day ago

        > I would prefer we have cheaper pianos, samples and microphones instead of worthless music-copying models.

        There are lots of ML models that produce instrumentals and vocals that are incredibly useful for practicing musicians.

        The popular and well-known Suno and Udio are pop culture toys. They also find use with content creators who don't have time to learn how to make music. (Not everyone can learn and master everything. We have to let some of our creative desires slip or we'd never be able to accomplish anything.)

eaglelamp a day ago

If we are going to have a general discussion about copyright reform at a national level, I'm all for it. If we are going to let billion dollar corporations break the law to make even more money and invent legal fictions after the fact to protect them, I'm completely against it.

Training a model is not equivalent to training a human. Freedom of information for a mountain of graphics cards in a privately owned data center is not the same as freedom of information for flesh and blood human beings.

  • r3trohack3r a day ago

    You’re setting court precedent that will apply equally to OpenAI as it does to the llama.cpp and stable diffusion models running on your own graphics card.

    • photonthug a day ago

      I don’t know about that, we seem to be so deeply into double standards for this stuff that we’ve forgotten they are double standards. If I aggressively scrape content from anywhere and everywhere ignoring robots.txt and any other terms and conditions, then I’ll probably be punished. Corporate crawlers that are feeding the beast just do this on a massive scale and laugh off all of the complaints, including those from smaller corporations who hire lawyers..

      • darioush a day ago

        oh they hate it so much when this hypocrisy is pointed out. better put the high school kids downloading books on pirate bay in jail but I guess if your name starts with Alt and ends in man then there's an alt set of rules for you.

        also remember when GPU usage was so bad for the environment when it was used to mine crypto, but I guess now it's okay to build nuclear power plants specifically for gen-ai.

      • FeepingCreature a day ago

        Great, let's legislate corporate liability for excessive data use from crawlers. I'm fully there with you.

    • munificent a day ago

      SGTM.

      Honestly, seriously. Imagine some weird Thanos showed up, snapped his fingers and every single bit of generative AI software/models/papers/etc. were wiped from the Earth forever.

      Would that world be measurably worse in any way in terms of meaningful satisfying lives for people? Yes, you might have to hand draw (poorly) your D&D character.

      But if you wanted to read a story, or look at an image, you'd have to actually connect with a human who made that thing. That human would in turn have an audience for people to experience the thing they made.

      Was that world so bad?

      • autoexec a day ago

        Imagine a world where Thanos snapped his fingers and photoshop (along with every digital application like it) was wiped from Earth forever. The world would keep on turning and artists would keep on creating, but creating art would be more difficult and fewer people would be able to do it (or even touch up their own photos).

        Would that world be so bad? Was the world really so horrible before photoshop existed?

        What if we lost youtube? What if we lost MP3s?

        We could lose a lot of things we didn't always have and we'd still survive, but that doesn't mean that those things aren't worth having or that we shouldn't want them.

      • FeepingCreature a day ago

        That world was worse. It wasn't much worse, because we haven't seen most of the benefit of GenAI yet, but yes I would say that it was worse.

        It wasn't "so bad", but any history of improvement can be cut into slices that aren't "so bad" to reverse.

      • dcow a day ago

        Obviously the former status quo wasn’t that bad. But the opposite is also true, AI democratizes access to pop culture. So now when I connect with a human it’s not to share memes, it’s higher order. IOW we can spend more time playing D&D because we didn't have to draw our characters.

    • codedokode a day ago

      Can stable diffusion be created without using copyrighted content? Maybe we should have some exemption for non-commercial research but definitely not for commercial exploitation or generating copyrighted images using open-source models.

      • godelski a day ago

        There is already exemptions for research. Look at licensing around things like ImageNet. There's similar licensing around things like LAION and Common Crawl[0] It's also not legal to just scrape everything without paying. There's a reason the NYT sued OpenAI and then got a settlement. It's still illegal for Meta to torrent terabytes of textbooks too.

        [0] https://commoncrawl.org/terms-of-use

          > In this regard, you acknowledge that you may not rely on any Crawled Content created or accumulated by CC.  CC strongly recommends that you obtain the advice of legal counsel before making any use, including commercial use, of the Service and/or the Crawled Content.  BY USING THE CRAWLED CONTENT, YOU AGREE TO RESPECT THE COPYRIGHTS AND OTHER APPLICABLE RIGHTS OF THIRD PARTIES IN AND TO THE MATERIAL CONTAINED THEREIN.
      • FeepingCreature a day ago

        Can an artist be created without using copyrighted content? Raise a child without movies, books, songs or the internet, see how much they contribute to "popular culture".

  • robocat a day ago

    > invent legal fictions after the fact

    You're reading into the situation...

    For the US getting legislators to do anything is impossible: even the powerful fail.

    When a legal system is totally roadblocked, what other choice is there? The reason all startups ask forgiveness is that permission is not available.

    (edit). Shit. I guess that could be a political statement. Sorry

tastyface 2 days ago

A different way of looking at it: AI, by design, defaults to regurgitating the poppiest of pop culture content. Every whip-wielding archaeologist is now Harrison Ford. Every suave British spy is now Daniel Craig. With the power of AI, creativity is dead and buried.

  • slg a day ago

    This is what was often missed in the previous round of AI discourse that criticized these companies for forcing diversity into their systems after the fact. Every suave spy being Daniel Craig is just the apolitical version of every nurse being a woman or every criminal being Black. Converging everything to the internet's most popular result represents an inaccurate and a dumped down version of the world. You don't have to value diversity as a concept at all to recognize this as a systemic flaw of AI, it is as easy as recognizing that Daniel Craig isn't the only James Bond let alone the only "suave English spy".

    • dcow a day ago

      It’s only a flaw insofar as it’s used in ways in which the property of the tool is problematic. Stereotypes are use for good and bad all the time, let’s not pretend that we have to attack every problem with a funky shaped hammer because we can’t admit that it’s okay to have specialized tools in the tool belt.

      • slg a day ago

        I don't follow your analogy. Is the "specialized tool" the AI or the way that it returns "problematic" results? Because I'm not saying the system is bad for using negative stereotypes. I'm saying the system is bad because it removes natural variety from the results making them misleading. The reliance on stereotypes are just one example of this phenomenon with another example being "suave English spy" only returning Daniel Craig.

        • dcow a day ago

          I guess I’m saying that the specific application of stereotypes may be a feature. I don’t think we’ll see a single prevailing winner takes all model, so there is diversity in that respect too. And I think you will even see diversity from a single model. In other words, I don’t think Daniel Craig is the only thing a model will return for “suave english spy”. Just a cheap and easy one.

  • sejje 14 hours ago

    Why does the AI have to inject the creativity? It's supposed to guess what you want and generate it. The prompts in the article make it clear the author wants Harrison Ford.

    If you ask it for a female adventure-loving archaeologist with a bullwhip, you think you'll get Harrison Ford?

    What if you ask for a black man? Etc etc.

    You're talking about how unoriginal it is when the human has asked it in the least creative way. And it gives what you want (when the content filters don't spot it)

  • card_zero a day ago

    The backlash against AI compels creative types to be more original, maybe. It could be that AI improves culture by reflecting it in insipid parody, with the implicit message "stop phoning it in".

  • darioush a day ago

    don't you think it is empowering and aspiring for artists? they can try several drafts of their work instantaneously, checking out various compositions etc before even starting the manual art process.

    they could even input/train it on their own work. I don't think someone can use AI to copy your art better than the original artist.

    Plus art is about provenance. If we could find a scrap piece of paper with some scribbles from Picasso, it would be art.

    • Kim_Bruning a day ago

      This does seem to work for writing. Feed your own writing back in and try variations / quickly sketch out alternate plots, that sort of thing.

      Then go back and refine.

      Treat it the same as programming. Don't tell the AI to just make something and hope it magically does it as a one-shot. Iterate, combine with other techniques, make something that is truly your own.

  • SirMaster 18 hours ago

    But why Daniel Craig and not Pierce Brosnan?

  • autoexec a day ago

    > A different way of looking at it: AI, by design, defaults to regurgitating the poppiest of pop culture content.

    That's the whole problem with AI. It's not creative. There's no "I" in AI. There's just what we feed it and it's a whole lot of "garbage in, garbage out". The more the world is flooded with derivative AI slop the less there will be of anything else to train AI on and eventually we're left with increasingly homogenized and uncreative content drowning out what little originality is still being made without AI.

II2II a day ago

> That Disney Corp can prevent you from viewing some collection of pixels, because THEY own it

A world without copyright is just as problematic as a world with copyright. With copyright, you run into the problem of excessive control. This wasn't too much of a problem in the past. If you bought a book, record, or video recording, you owned that particular copy. You could run into disagreeable situations because you didn't own the rights, but it was difficult to prevent anyone from from viewing a work once it had been published. (Of course, modern copyright laws and digitial distribution has changed that.)

On the flip side, without copyright, it would be far easier for others to exploit (or even take credit) for the work of another person without compensation or recourse. Just look at those AI "generated" images, or any website that blatently rips off the content created by another person. There is no compensation. Heck, there isn't even credit. Worse yet, the parties misrepresenting the content are doing their best to monetize it. Even authors who are more than willing to give their work away have every right to feel exploited under those circumstances. And all of that is happening with copyright laws, where there is the opportunity for recourse if you have the means and the will.

  • dcow a day ago

    You don’t need credit to talk about pop culture. I don’t need to credit the Indian Jones copyright holder when I paint a stunning likeness of Ford in a kaki outfit with a whip, even if the holder might try to sue me over it. Copyright and credit aren’t the same.

    • paulryanrogers a day ago

      There are also trademark protections. I heard Ford actually trademarked his likeness to ensure he got a piece of the merchandise action.

      • dcow 19 hours ago

        Trademarking your likeness is absurd. How do we even let that happen.

        • paulryanrogers 19 hours ago

          IMO everyone should automatically have rights over their own likeness, especially when it comes to commercial ventures.

  • singpolyma3 a day ago

    To reply to the parenthetical, copyright has nothing to do with credit. Taking credit for someone else's work is banned in some places in some contexts (they call this a moral rights regime) but not the same thing as what is being talked about when people say copyright (which is about copying and performing)

  • idiotsecant a day ago

    The idea that someone can't use ideas without someone else making money from it is a really, really, radically weird idea and is very new in the history of human society.

xorcist a day ago

I think what you observe is more like a natural blowback to the prevailing idea that this is somehow beyond critique because it will fundamentally change culture and civilization forever.

There's a bit of irony here too. The intellectual discourse around intellectural property, a diverse and lively one from an academic standpoint, the whole free and open source software movements, software patents, the piracy movement and so on have analyzed the history, underlying ideas and values in detail for the past thirty years. Most people know roughly what is at stake, where they stand, and can defend their position in an honest way.

Then comes new technology, everyone and their mother gets excited about it, and steamrolls all those lofty ideas into "oh look at all the shiny things it can produce!". Be careful what you wish for.

  • achierius a day ago

    Let's be clear. You can be for free software, against copyright, etc., and STILL be in favor of these firms being punished for violating copyright as they have. Because frankly, we -- normal people -- have always known that we would be punished if we did anything close to this: so many people have been thrown in jail, even killed themselves, because they distributed some film or hosted some books. But now, when a big corporation does it, and in doing so seeks to replace and impoverish thousands, millions of hard-working, law-abiding people, now is when we should expect the government to finally say -- oh, that copyright thing was silly all along? No. Perhaps if the deal was that the whole system would go away entirely -- that we, too, could do what these firms have done. But that's not what's being proposed. That will not happen. They want the laws to be for them, not for us, and I will always be opposed to attempts at actualizing that injustice.

    • FeepingCreature a day ago

      IMO the natural effect of this will be to massively devalue any individual cultural artifact, and that this will also achieve the benefit of defanging the big copyright holders. Is it the right way to go about it? No. Is it an insult to anyone who ever got nabbed for piracy? Sure. But tbh as a pirate voter I'll still very much take it.

ryandrake 2 days ago

Not just some particular collection of pixels, but an infinite number of combinations of collections of pixels, any of which remotely invoke a shadow of similarity to hundreds of "properties" that Disney lays claim to.

  • codedokode a day ago

    But why do you want to make a collection of pixels that resembles existing characters and not create your own?

chimpanzee a day ago

Essentially: “information wants to be free”.

I agree.

But this must include the dissolution of patents. Otherwise corporations and the owners of the infrastructure will simply control everything, including the easily replicable works of individuals.

  • j-bos a day ago

    At least patents only last 20 years as opposed to nearly over a century for copyright.

    • paulryanrogers a day ago

      In practice it's often longer. Drug companies queue up minor tweaks to their formulas and can threaten to sue anyone even close to the new way, even carbon copies of the now expired patent. Few can afford to win a lawsuit.

      We need more courts and judges to speed the process, to make justice more accessible, and universal SLAPP protections to weed out frivolous abuse.

      • j-bos a day ago

        True, though at least with drugs if there's a shortage compounding pharmacies are given broad freedom outside the patent holder's control. See semaglutide.

        • paulryanrogers 18 hours ago

          Sad that we rely on the scraps these captured regulators let fall through the cracks. At least until their patrons awake and close those loopholes.

  • codedokode a day ago

    I am against dissolution of patents if the technology took lot of research. In this case the patent protects from others copying the result of research.

    However, obvious patents like "a computer system with a display displaying a product and a button to order it" should not be allowed. Also, software patents should not exist (copyright is enough).

    • wsintra2022 a day ago

      What if all that research led to some incredible world changing for the better idea/concept/product in an open society that would benefit everyone, in the closed society only those allowed to use the patent benefit

      • intrasight 18 hours ago

        It's not black and white. Even the United States, the government can, under certain circumstances, use a patented invention without the patent holder's permission. And it's even more common in other countries.

      • codedokode a day ago

        Who would pay for the years of research in the open society?

r0s a day ago

It's not baffling in the least.

No matter the extent you believe in the freedom of information, few believe anyone should then be free to profit from someone else's work without attribution.

You seem to think it would be okay for disney to market and charge for my own personal original characters and art, claiming them as their own original idea. Why is that?

  • raspyberr a day ago

    Yes. I 100% unironically believe that anyone should be able to use anyone else's work royalty/copyright free after 10-20 years instead of 170 in the UK. Could you please justify why 170 years is in any way a reasonable amount of time?

    • card_zero a day ago

      The copyright last 70 years after the death of the author, so 170 years would be rare (indeed 190 years would be possible). This was an implementation of a 1993 EU directive:

      https://en.wikipedia.org/wiki/Copyright_Duration_Directive

      That itself was based on the 1886 Berne Convention. "The original goal of the Berne Convention was to protect works for two generations after the death of the author". 50 years, originally. But why? Apparently Victor Hugo (he of Les Miserables) is to blame. But why was he bothered?

      Edit: it seems the extension beyond the death of the author was not what Hugo wanted. "any work of art has two authors: the people who confusingly feel something, a creator who translates these feelings, and the people again who consecrate his vision of that feeling. When one of the authors dies, the rights should totally be granted back to the other, the people." So I'm still trying to figure out who came up with it, and why.

      • card_zero a day ago

        So far as I can tell, the idea behind extending copyright two generations after the author's death was so that they could leave the rights to their children and grandchildren, and this would keep old or terminally ill authors motivated.

    • codedokode a day ago

      May I ask why you want to use someone's work instead of creating your own?

      • card_zero a day ago

        I mean, it's fun. Ever listened to the KLF, and things from the era before sampling was heavily sat on, such as the album 1987 (What the Fuck Is Going On?) - ? I don't claim it's very good, but it was definitely fun. And the motivation for using existing works, instead of creating your own, is similar to the motivation for using existing words, instead of creating your own. They're reference points, people recognize them, you can communicate with them instead of having to extract patience from the audience like they have to learn a new language for each work. And of course in practice the rules are fuzzy, so everybody sails close to the wind by imitating others and in this way we share a culture. Stealing their work is just sharing the culture more closely.

    • r0s 13 hours ago

      "use" vs. sell is the problem here. Or do you think they are the same?

furyofantares a day ago

I think we have all grown up with pervasive strong IP rights, and most people have come to internalize it as a matter of fairness or an almost natural right, rather than a practical tool designed to incentivize creation.

And then even if you get past that, the world is filled with lots of IP we love, and it is easy to imagine weakened IP rights taking that away, but quite difficult to imagine what weakened IP rights might buy us.

I do have some hope still that this generative AI stuff will give a glimpse into the value of weaker IP rights and maybe inspire more people to think critically about it. But I think it is an uphill battle. Or maybe it will take younger people growing up on generative AI to notice.

gerdesj a day ago

How do you suggest you protect your "thing"?

* If I make a thing that is different and I get a patent - cool. * If I create a design that is unusual and I get copyright on it - is that cool?

Both concepts - patent and copyright - are somewhat controversial, for multiple reasons.

If you invented a thingie, would you not want some initial patent related protection to allow you to crack on with some sort of clout against cough CN? If you created a film/creative thang, would you not want some protection against your characters being ... subverted.

Patents and copywrite are what we have - do you have any better ideas?

serviceberry a day ago

What's the damage to the society done by Disney holding the rights to Mickey Mouse? Like, if we're being honest?

Patents, sure. They're abused and come at a cost to the society. But all we've done here is created a culture where, in some sort of an imagined David-vs-Goliath struggle against Disney, we've enabled a tech culture where it's OK to train gen AI tech on works of small-scale artists pilfered on an unprecedented scale. That's not hurting Disney. It's hurting your favorite indie band, a writer you like, etc.

  • fiddlerwoaroof a day ago

    It’s worse in music: the folk music that came before recorded music had a long history of everyone borrowing and putting their own spin on someone else’s tune and, today, this is viewed as some kind of assault on the originator of the tune.

    If companies can’t gatekeep our artistic culture for money, we’ll be better able to enjoy it.

WhyOhWhyQ a day ago

We're about to witness a fundamental shift in the human experience. Some time in the near future there will not be a single act of creation you can do that isn't trivial compared to the result of typing "make cool thing please now" into the computer. And your position is to add to the problem because with your policy anything I create should get chucked into the LLM grinder by any and everybody. How do I get my human body to commit to doing hard things with that prospect at hand? This is the end of happiness.

  • redwood a day ago

    This is why I love making bread

    • GPerson a day ago

      We can’t all be bread making hedonists. Some of us want these finite lives to mean more than living constantly in the moment in a state of baking zen.

  • card_zero a day ago

    I don't know, that sounds like the basic argument for copyright: "I created a cool thing, therefore I should be able to milk it for the rest of my life". Without this perk, creatives are less motivated. Would that be bad? I guess an extreme version would be a world where you can only publish anonymously and with no tangible reward.

    • jkhdigital a day ago

      I hate to paint with such a broad brush, but I’d venture that “creatives” are not primarily motivated by profit. It is almost a truism that money corrupts the creative endeavour.

      • card_zero a day ago

        There are various ways to turn creativity into money, even without publishing any kind of artwork. Basically all skilled jobs and entrepreneurial enterprises require creativity. And if you do have an artwork, you can still seek profit through acclaim, even without copyright: interviews, public appearances. Artists once had patrons - but that tends to put aristocrats in control of art.

        So money will motivate a lot of the creativity that goes on.

        Meanwhile, if you dabble in some kind of art or craft while working in a factory to make ends meet, that kind of limits you to dabbling, because you'll have no time to do it properly. Money also buys equipment and helpers, sometimes useful.

        On the other hand, yes, it ruins the art. There's a 10cc song about that. https://en.wikipedia.org/wiki/Art_for_Art%27s_Sake_(song)

        Though, this reminds me of an interesting aside: the origin of the phrase "art for art's sake" was not about money, but about aesthetics. It meant something like "stop pushing opinions, just show me a painting".

masfuerte 2 days ago

I don't really care.

Either enforce the current copyright regime and sue the AI companies to dust.

Or abolish copyright and let us all go hog wild.

But this halfway house where you can ignore the law as long as you've got enough money is disgusting.

  • dragonwriter 2 days ago

    Or treat AI training as within the coverage of the current fair use regime (which is certainly defensible within the current copyright regime), while prosecuting the use of AI models to create infringing copies and derivative works that do not themselves have permission or a reasonable claim to be within the scope of fair use as a violation (and prosecuted hosted AI firms for contributory infringement where their actions with regard to such created infringements fit the existing law on that.)

    • Wowfunhappy a day ago

      ^ I feel like I almost never see this take, and I don't understand why because frankly, it strikes me at patently obvious! Of course the tool isn't responsible, and the person who uses it is.

      • srveale a day ago

        I think the tricky bit is that AI companies make money off the collected works of artists, regardless of user behaviour. Suppose I pay for an image generator because I like making funny pictures in Ghibli style, then the AI company makes money because of Ghibli's work. Is that ethical? I can see how an artist would get upset about it.

        On the other hand, suppose I also like playing guitar covers of songs. Does that mean artists should get upset at the guitar company? Does it matter if I do it at home or at a paid gig? If I record it, do I have to give credit to the original creator? What if I write a song with a similar style to an existing song? These are all questions that have (mostly) well defined laws and ethical norms, which usually lean towards what you said - the tool isn't responsible.

        Maybe not a perfect analogy. It takes more skill to play guitar than to type "Funny meme Ghibli style pls". Me playing a cover doesn't reduce demand for actual bands. And guitar companies aren't trying to... take over the world?

        At the end of the day, the cat is out of the bag, generative AI is here to stay, and I think I agree that we're better off regulating use rather than prohibition. But considering the broader societal impacts, I think AI is more complicated of a "tool" than other kinds of tools for making art.

        • codedokode a day ago

          > I think the tricky bit is that AI companies make money off the collected works of artists,

          There is also a chance that AI companies didn't obtain the training data legally; in that case it would be at least immoral to build a business on stolen content.

    • prawn a day ago

      I see AI training on public material like I would upcoming artists being inspired by the artists before them. Obviously the scale is very different. I don't mind your scenario because an AI firm, if they couldn't stay on top of what their model was creating, could voluntarily reduce the material used to train it.

      • codedokode a day ago

        You imply that AI model is creating new works and not merely rearranging pieces from other works you never saw and therefore might consider novel. AI model is not a model of a creative human currently: a human doesn't need to listen to million songs to create his own.

  • ryandamm a day ago

    This may not be a particularly popular opinion, but current copyright laws in the US are pretty clearly in favor of training an AI as a transformative act, and covered by fair use. (I did confirm this belief in conversation with an IP attorney earlier this week, by the way, though I myself am not a lawyer.)

    The best-positioned lawsuits to win, like NYTimes vs. OpenAI/MS, is actually based on violating terms of use, rather than infringing at training time.

    Emitting works that violate copyright is certainly possible, but you could argue that the additional entropy required to pass into the model (the text prompt, or the random seed in a diffusion model) is necessary for the infringement. Regardless, the current law would suggest that the infringing action happens at inference time, not training.

    I'm not making a claim that the copyright should work that way, merely that it does today.

    • codedokode a day ago

      > Regardless, the current law would suggest that the infringing action happens at inference time, not training.

      Zuckerberg downloading a large library of pirated articles does not violate any laws? I think you can get a life sentence for merely posting links to the library.

    • photonthug a day ago

      > The best-positioned lawsuits to win, like NYTimes vs. OpenAI/MS, is actually based on violating terms of use, rather than infringing at training time.

      I agree with this, but it's worth noting this does not conflict with and kind of reinforces the GP's comment about hypocrisy and "[ignoring] the law as long as you've got enough money".

      The terms of use angle is better than copyright, but most likely we'll never see any precedent created that allows this argument to succeed on a large scale. If it were allowed then every ToS would simply begin to say Humans Only, Robots not Welcome or if you're a newspaper then "reading this you agree that you're a human or a search engine but will never use content for generative AI". If github could enforce site terms and conditions like that, then they could prevent everyone else from scraping regardless of individual repository software licenses, etc.

      While the courts are setting up precedent for this kind of thing, they will be pressured to maintain a situation where terms and conditions are useful for corporations to punish people. Meanwhile, corporations won't be able to punish corporations for the most part, regardless of the difference in size. But larger corporations can ignore whatever rules they want, to the possible detriment of smaller ones. All of which is more or less status quo

    • o11c a day ago

      Training alone, perhaps. But the way the AIs are actually used (regardless of prompt engineering) is a direct example of what is forbidden by the case that introduced the "transformative" language.

      > if [someone] thus cites the most important parts of the work, with a view, not to criticize, but to supersede the use of the original work, and substitute the review for it, such a use will be deemed in law a piracy.

      Of course, we live in a post-precedent world, so who knows?

  • mlsu a day ago

    The hypocrisy is obviously disgusting.

    It also shows how, at the end of the day, none of the justifications for this intellectual property crap are about creativity, preserving the rights of creators, or any lofty notion that intellectual property actually makes the world a better place, but rather, it is a naked power+money thing. Warner Bros and Sony can stop you from publishing a jpeg because they have lawyers who write the rulebook. Sam Altman can publish a jpeg because the Prince of Saud believes that he is going build for corporate America a Golem that can read excel spreadsheets.

rglullis a day ago

> It seems most people have fully assimilated the idea that information itself must be entirely subsumed into an oppressive, proprietary, commercial apparatus.

No, the idea is that rules needed to be changed in a way that can are valid for everyone, not just for mega corporations who are trying to exploit other's works and gatekeep the it behind "AI".

kevin_thibedeau a day ago

Consider that one day you may wish to author a creative work and derive financial benefit from that labor. There is legitimate use for limited time ownership of reproducible cultural artifacts. Extending that to 95 years is the problem.

  • narcraft a day ago

    I wish to one day derive financial benefit from hitting myself with a hammer for 8 hours a day. Should we construct a legal apparatus to guarantee that I am able to do so?

    Edit: the point I want to illustrate is that we do not get to choose what others value, or to dictate what is scarce and no one is entitled to make a living in a specific way even if they really want to

    • loki-ai a day ago

      It is bad analogy specially because we value that so much that we are even discussing on how to have more of it.

boplicity a day ago

> used over and over again, primarily by the rich and powerful

This is where the argument falls apart. Not because the copyright isn't used by the rich and powerful, but because it misses the fact that copyright also grants very powerful rights to otherwise powerless individuals, thus allowing for many small businesses and individuals to earn a living based on the rights granted by our current copyright system.

  • fiddlerwoaroof a day ago

    Rights you basically can’t use without a lot of money

    • boplicity 18 hours ago

      Um, no. I use these rights all of the time, and often enforce them, and am not at all wealthy.

[removed] a day ago
[deleted]
a_bonobo a day ago

>information itself must be entirely subsumed into an oppressive, proprietary, commercial apparatus

I think that's the reason why I've (and probably many others?) have cooled down on general open source coding.

Open source started when well-paid programmers used their stable positions and ample extra time to give back to the community. What happened then is that corporations then siphoned up all that labor and gave nothing back, just like the AI bros siphoned up all data and gave nothing back. The 'contract' of mutual exchange, of bettering each other, was always a fantasy. Instead the companies took away that ample extra time and those stable positions.

Here we are in 2025 and sometimes I can't afford rent but the company C-tier is buying itself their hundredth yacht. Why should I contribute to your system?

onlyrealcuzzo 2 days ago

> to stifle original ideas and hold back cultural innovation.

How is copyright stifling innovation?

You could not rip something off more blatantly than Gravity, which had the lawsuit dismissed entirely.

Taurus vs Stairway to Heaven, the list goes on and on and on.

You can often get away with nearly murder ripping off other people's stuff.

  • ppseafield a day ago

    Copyright makes the legality of arXiv and SciHub questionable at best. It locks publicly funded research behind paywalls. It makes being able to search the law (including case law) of the US incredibly expensive. It puts a burden on platforms to be beholden to DMCA takedowns, lest the content owner go to their hosting or DNS provider, has happened to itch.io. It adds licensing fees onto public musical performances (ASCAP).

    Additionally plenty of people making videos for YouTube have had their videos demonetized and their channels even removed because of the Content ID copyright detection scheme and their three strikes rule. In some cases to a ridiculous extent - some companies will claim ownership of music that isn't theirs and either get the video taken down or take a share of the revenue.

    I watched a video where someone wrote a song and registered it via CDBaby, which YouTube sources for Content ID. Then someone claimed ownership of the song, so YouTube assigned the third party 50% of the ad revenue of the video.

    • apersona 14 hours ago

      Let's separate the implementation of copyright and the concept of copyright. I don't think you would find anyone who would say the US's implementation of copyright is flawless, but the OP seems to be talking about the concept itself.

      > Additionally plenty of people making videos for YouTube have had their videos demonetized and their channels even removed because of the Content ID copyright detection scheme and their three strikes rule. In some cases to a ridiculous extent - some companies will claim ownership of music that isn't theirs and either get the video taken down or take a share of the revenue.

      Let's take YouTube videos as an example. If the concept of copyright doesn't exist, there is nothing stopping a YouTuber with millions more subscribers from seeing a trending video you made and uploading it themselves. Since they're the one with the most subs, they will get the most views.

      The winner of the rewards will always go to the brand that people know most rather than the video makers.

    • codedokode a day ago

      > Copyright makes the legality of arXiv

      Why? I thought that authors post the articles to arxiv themselves.

      > It locks publicly funded research behind paywalls.

      It is not copyright, it is scientists who do not want to publish their work (that they got paid for) in open access journals. And it seems the reason is that we have the system where your career advances better if you publish in paid journals.

  • fragmede 2 days ago

    Because it's self indulgent wankery. If I, as writer and an artist, have just the most absolutely brilliant thoughts, and write them down into a book or draw the most beautiful artwork, I can earn money off that well into my afterlife with copyright. Meanwhile the carpenter who is no less bright, can only sell the chair he's built once. In order to make money off of it, he must labor to produce a second or even a third chair. Why does one person have to work harder than the other because of the medium they chose?

    Meanwhile in China, just because you invented a thing, you don't get to sit back and rest on your laurels. sipping champagne in hot tubs, because your competitor isn't staying put. He's grinding and innovating off your innovation so you'd also better keep innovating.

    • TheOtherHobbes a day ago

      The only people making chairs by hand today are exceptionally well-paid artisanal craft carpenters and/or designers/studios.

      It's not at all unusual for popular/iconic furniture designs to be copyrighted.

      Reality is people who invent truly original, useful, desirable things are the most important human beings on the planet.

      Nothing that makes civilisation what it is has happened without original inventiveness and creativity. It's the single most important resource there is.

      These people should be encouraged and rewarded, whether it's in academia, industry, as freelance inventors/creators, or in some other way.

      It's debatable if the current copyright system is the best way to do that, because often it isn't, for all kinds of reasons.

      But the principle remains. Destroy rewards for original invention and creativity and you destroy all progress.

      • rpdillon a day ago

        This position suggests that there was no progress before we had copyright. I think you're vastly overstating the power of the incentives we've set up to drive creative behavior, and even with your caveats I think you're overstating their efficacy. Copyright and patents have done more to consolidate wealth within middleman industries that aggregate these properties than they have to enrich the actual creatives doing the work, as it is with all systems. For every system we put in place to reward behavior that we enjoy, the system always benefits those that choose to game the system more than those that were originally intended to be rewarded.

        And the results are observable empirically: very few people are told by anyone that's been out in the world that they should choose to become a writer or an inventor, because writers and inventors simply don't make that much money. The system you claim is so necessary seems to be completely failing in its core mission.

        For example, take a look at writers making a decent living on a platform like Substack. Copyright is literally doing nothing for them. People can freely copy their substack and post it everywhere online. The value is that the platform provides a centralized location for people to follow the person's writing, and to build a community around it. In cases where artists and inventors have become rich, I look at the mechanism behind it, and often it's an accident that had nothing to do with intellectual property rights at all.

        • mlsu a day ago

          And not only that. People who do make a living producing creative stuff have to constantly monitor themselves for any hint of copyright infringement, because a copyright strike on their channel is existential. Even if the majority of the time the strike was total baloney. It makes it tough to create when you can be three strikesed or demonetized for playing something that sounds like a record label's melody for 20 seconds on your channel.

      • redwood a day ago

        "are the most important human beings on the planet"

        While I don't disagree with what you are trying to say, saying it this way is hyperbolic. There are so many people doing important things. Think about parents.

      • codedokode a day ago

        > Destroy rewards for original invention and creativity and you destroy all progress

        You won't destroy the progress completely but there definitely will be a lot of unfairness like people monetizing someone else's music due to having better SEO skills and more free time than the artist. And the artist cannot hire SEO specialist because he has no money.

      • wsintra2022 a day ago

        Nah I made a beautiful bench just the other week. I’m not well-paid artisanal craft carpenters and/or designers/studios.just a regular fella who has a dab hand at carpentry

      • chimpanzee a day ago

        There’s plenty of people who create without external reward.

        Or simply for the most minimal of external rewards: recognition and respect.

        Or for the purest: seeing others live longer and happier as a result.

      • fragmede a day ago

        You’re right—original inventiveness drives progress. But IP protection isn’t the only (or best) way to reward it. Removing it often accelerates innovation.

        Look at open source. If Linux had been closed-source with licensing fees, the internet wouldn’t exist as we know it. Open ecosystems build faster. Contributors innovate because they can build on each other’s work freely.

        Market pressure drives innovation. Reputation beats monopoly. Monopolies slow everything down. And collaboration multiplies progress.

    • salynchnew a day ago

      One reason so many people are amenable to the copyright argument is at least partly because of these counterarguments that posit that every writer must be an elitist or fabulously wealthy vs. instead of someone who spent X years toiling away at their craft or skill while working menial/multiple jobs.

      • fragmede a day ago

        yeah we should abolish copyright and make it so that creators get paid for every eyeball that's looking at your content. first, we establish a total panopticon. and then you get paid when people engage with your content, like, the system records that a person watches your movie, doesn't matter how they got a copy of your movie, but this person watches your movie, and that watch gets sent into the system and you get paid out from it. no more copyright, just horribly invasive tracking of everything everywhere. Call it copythrough.

        That would never work, but like writing sci-fi.

    • onlyrealcuzzo 2 days ago

      This has nothing to do with stifling innovation.

      I am yet to meet a writer who doesn't even attempt to write for fear that whatever they write will be found to be in violation of copyright (unless they are the type of writer that is always finding excuses not to write).

      Several people have made successful careers out of fan fiction...

      • fragmede a day ago

        JK Rowling never has to work again in her life because she wrote a couple of books that were exceedingly popular. Because she doesn't have to work, she's not been forced to come up with new stuff. How is that not stifling?

    • codedokode a day ago

      I don't think it is that easy. Take musicians for example. There are several thousands most popular and rich, some that can only gather a small club and a long tail of people who can only play music on their day off. And now with development of generative models their financial situation is going to get only worse.

    • absolutelastone a day ago

      The income from the book is scaling by its number of customers, versus roughly one person at a time who can enjoy the chair. It incentivizes finding ways to entertain more people with your effort.

mvdtnz a day ago

I'm guessing you've never created something of value before. People are entitled to the fruits of their labour and control of their intellectual property.

  • jim-jim-jim a day ago

    If I paint a picture on a physical canvas, I can charge people to come into my house and take a look. If I bring the canvas to a park, I'm not entitled to say "s-stop looking at my painting guys!"

    If you're worried about your work being infinitely reproduced, you probably shouldn't work in an infinitely-reproducible medium. Digitized content is inherently worthless, and I mean that in a non-derisive way. The sooner we realize this, the richer culture will be.

    Really all content is worthless. Historically, we've always paid for the transmission medium (tape, CD) and confused it for the cost of art itself.

    • loki-ai a day ago

      and how do you reconcile any work in software development? If someone isn’t willing to work for free, should they just not work in the field at all? Do you think software culture would really be richer?

      • jim-jim-jim a day ago

        My income is tied to the labor time I exert in creating/supporting services. I don't sit back and collect royalties on the code itself. Software is one of the first fields where the fundamental worthlessness of content revealed itself, hence FOSS.

        When you watch a musical performance, you are also paying for labor. Even when you buy a physical art object, all the costs involved decompose back to labor. When you have a digital copy of something, there is no labor input to its creation, so guess what the inherent value is.

        Animators drew actual cels. Theater workers clocked in and screened the films. The guys at the DVD factory pressed the discs. We paid for all of this already. It's double-billing to charge for copypasting the mere likeness of something. Nobody's doing any work for that.

      • sejje 14 hours ago

        You keep it in your house and charge people to come look at it (SaaS).

        Those people sometimes look at it and build a copy (competitor) and that's okay.

        You don't have to publish your code, or allow other people to run it.

  • adamredwoods a day ago

    Accusatory clause aside, but I agree, this is how a lot of "starving artists" get out of being starving.

  • HideousKojima a day ago

    >People are entitled to the fruits of their labour and control of their intellectual property.

    No they aren't, intellectual property is a legal fiction and ideas belong to all of humanity. Humanity did fine without intellectual property for thousands of years, it's a relatively recent creation.

  • Kim_Bruning a day ago

    > I'm guessing you've never created something of value before

    That's an interesting speculation. You realize that it could also be turned against you, right? Never a good idea!

    So, let's focus on the arguments rather than making assumptions about each other's backgrounds.

    > People are entitled to the fruits of their labour and control of their intellectual property.

    People are absolutely entitled to the fruits of their labour. The crucial question is whether the current system of 'IP' control – designed for scarcity – is the best way to ensure that, especially when many creators find it hinders more than it helps. That's why many people explore and use other models.

egypturnash a day ago

Getting the megacorporations to sit up and take notice of this is about the only way the average independent artist has any hope of stopping this crap from destroying half our jobs. What'm I gonna do, sue OpenAI? Sam Altman makes more money sitting on the toilet taking a dump than I do in an entire year.

I have no love for the Mouse but if I can get them and the image slop-mongers to fight then that's absoutely fine. It would be nice to have a functioning, vibrant public domain but it is also nice to not have some rich asshole insisting that all copyright laws must be ignored because if they properly licensed even a fraction of what they've consumed then it would be entirely too expensive to train their glorified autocomplete databases on the entire fucking internet for the purpose of generating even more garbage "content" designed to keep your attention when you're mindlessly scrolling their attention farms, regardless of how it makes you feel, and if I can choose one or the other then I am totally behind the Mouse.

rthomas6 a day ago

More than giant corporations make IP. What about independent artists making original art?

myhf a day ago

The problem with this kind of plagiarism isn't that it violates someone's specific copyright.

But the discussion around plagiarism calls attention to the deeper issue: "generative" AI does not have emergent thinking or reasoning capabilities. It is just very good at obfuscating the sources of its information.

And that can cause much bigger problems than just IP infringement. You could make a strategic decision based on information that was deliberately published by an adversary.

elicksaur a day ago

Gonna submit that business model to a YC 2026 batch.

ToucanLoucan 2 days ago

I can't speak for everyone obviously, but my anti-AI sentiment in this regard is not that IP law is flawless and beyond reproach, far from it. I'm merely saying that as long as we're all required to put up with it, that OpenAI and company should also have to put up with it. It's incredibly disingenuous the way these companies have taken advantage of publicly available material on an industrial scale, used said material to train their models "for research" and as soon as they had something that vaguely did what they wanted, began selling access to them.

If they are indeed the output of "research" that couldn't exist without the requisite publicly available material, then they should be accessible by the public (and arguably, the products of said outputs should also be inherently public domain too).

If they are instead created products to be sold themselves, then what is utilized to create them should be licensed for that purpose.

Additionally, if they can be used to generate IP violating material, then IMHO, makes perfect sense for the rights holders of those IPs to sue their asses like they would anyone else who did that and sold the results.

Again, for emphasis: I'm not endorsing any of the effects of IP law. I am simply saying that we should all, from the poorest user to the richest corporation, be playing by the same rules, and it feels like AI companies entire existence is hinging on their ability to have their IP cake and eat it too: they want to be able to restrict and monetize access to their generative models that they've created, while also having free reign to generate clearly, bluntly plagiarizing material, by way of utilizing vast amounts of in-good-faith freely given material. It's gross, and it sucks.

  • flats a day ago

    Very well put. I’m open to a future in which nothing is copyrighted & everything is in the public domain, but the byproduct of that public domain material should _also_ be owned by the public.

    Otherwise, we’re making the judgement that the originators of the IP should not be compensated for their labor, while the AI labs should be. Of course, training & running the models take compute resources, but the ultimate aim of these companies is to profit above & beyond those costs, just as artists hope to be compensated above & beyond the training & resources required to make the art in the first place.

    • loki-ai a day ago

      as an artist, I totally agree with this approach. the whole idea of trying to pay artists for their contributions in training data is just impractical.

      if the data’s pulled from the public domain, the model built from this human knowledge should be shared with all creators too, meaning everyone should get access to it

  • Kim_Bruning a day ago

    Beware of pushing for rules that you don't personally believe in. You just might succeed a little too well, and have to live with the consequences.

soulofmischief a day ago

It smells like a psyop, to be honest. Doesn't take much to get the ball rolling. Just more temporarily embarrassed millionaires sticking up for billionaires and corporations, buying their propaganda hook line and sinker, and propagating it themselves for free. Copyright is a joke, DMCA is a disgusting, selectively applied tool of the elite.

[removed] a day ago
[deleted]
fullshark a day ago

All those ideas were rationalizations because people didn’t want to pay for stuff, just like your post effectively blaming the victim of IP theft cause corporations undeniably do suck so we shouldn’t care if they suffer.

codedokode a day ago

I don't understand how protecting Disney characters prevents development of art or science. Why do you need them at all? There is lot of liberally licensed art and I think today there are more artists than ever in history.

Also making a billion dollar business by using hard work of talented people for free and without permission is not cool. The movie they downloaded from Pirate Bay for free took probably man-years of work to make.

Also I wonder how can we be sure that the images produced by machine are original and are not a mix of images from unknown artists at DeviantArt. Maybe it is time to make a neural image origin search engine?

  • CaptainFever a day ago

    For the last paragraph, it already exists: Stable Attribution.

    It doesn't work. If you put your handmade drawing inside, it'll also tell you what images were mixed to make it, even though it was entirely human-made.

Peritract 21 hours ago

The issue here is that you think the problem is

> intellectual property

rather than

> used over and over again, primarily by the rich and powerful, to stifle original ideas and hold back cultural innovation

You're using those "2008 ideas now to defend the rich and powerful exploiting and stifling creativity; the problem hasn't changed, you've just swapped sides.

OpenAI isn't the underdog here.