Comment by crazygringo 4 days ago
I'm going to change your first example. Can you see what stands out?
"00000000qq000000000I0000000"
Now I'm going to change your second example, also by three characters. Can you see what stands out?
"H90F3iJsjo$(4ORma1sSKX@)!2k"
Is that a clearer example of what I'm trying to say? In the second example, because every symbol stands out, no symbol stands out. Or to put it more technically, noise has overwhelmed any signal.
Well yes, in practice color often is chaotic. Nobody is color-coordinating the cars in the road, or the houses on a street, or the signs and advertisements and billboards. It's a free-for-all that turns into garish noise.
And more neutral environments with accent colors makes sense because the main accent is always people and their clothing. Your patterned red dress won't clash with a neutral background. It will likely clash with a patterned orange wall. A more neutral environment allowed for lots of colored accents to exist without competing or clashing with them.
Obviously it depends.
A room always full of people might not need much decoration.
In a private office, you might want to hang a colorful painting and have some colorful knick-knacks, or a colorful sofa.
You figure out the right amount of color accents for you. But without overwhelming the senses by painting the whole room bright orange, you know?
But you're contrasting chaotic use of many different colors with neutrality, and arguing for environments with very little color rather than well-coordinated color; you argued above that color was just one element along with size, shape, texture etc., as if these qualities were mutually exclusive and design should only emphasize one at any given time.