Comment by jachee
For me it was Rufus Wainright’s cover of Hallelujah from Shrek. I agree though, that his songwriting is often most-elevated in someone else’s hands.
For me it was Rufus Wainright’s cover of Hallelujah from Shrek. I agree though, that his songwriting is often most-elevated in someone else’s hands.
At least in terms of emotive distance between original and cover, I'd say Joe Cocker's version of "With a Little Help from My Friends" beats it.
Cocker's version was so compelling they didn't even bother doing the little flat-VI coda from the original. That's the musical equivalent of going out for a coffee during Final Jeopardy because you're so far ahead.
From Wikipedia,
>Cale's version is used in the film Shrek (2001), but Rufus Wainwright's version appears on the soundtrack album.
https://en.wikipedia.org/wiki/Hallelujah_(Leonard_Cohen_song...
I like the Wainright cover, but I think there's a direct line from there to Hallelujah becoming a Christmas song. Not that it isn't beautiful, but the song as written is also tinged with irony and without Cohen's winking mixup of the sacred and the profane, it sounds kind of schmaltzy.
Is that pretentious? Hell yeah. Cohen brings out the pretentious side of me because he was such a brilliant writer and it bums me out when his work gets mistaken for platitudes.
Jeff Buckley's cover of Hallelujah is one of if not the best cover song ever period.